Background

Please be sure to carefully review the example content in this folder of HILTON'S CINEMATIC REALITY PHOTO AND VIDEO REFERENCES.


HILTON SAN FRANCISCO UNION SQUARE: 
"Everything happens here. Hilton Union Square is not a place you pass through - it is the destination. Scale, energy, and choice define the stay."

Hilton Union Square is San Francisco's urban anchor, the largest hotel on the West Coast, home to the city's highest sky bar, and physically woven into Union Square for over 60 years. The hotel IS part of the San Francisco story. The Cityscape Sky Bar is a San Francisco experience, not just a hotel amenity. The balcony suites deliver views no other hotel in the city can match. Union Square positions itself as the city's natural center of gravity and this content must own that positioning visually.

Main attractions to highlight: The unique beauty of skyline views from rooms and sky bar city vistas at blue hour.



PARC 55 SAN FRANCISCO
"Plug in fast. Move freely. Parc 55 is where the city becomes easy - a base that earns its keep by being perfectly placed and getting out of your way."


Parc 55 is for guests who chose San Francisco on purpose. They have somewhere to be - a restaurant reservation, a cable car to catch, a neighborhood to discover. Parc 55 is the gateway, not the destination. The hotel disappears into the trip in the best possible way. Guests leave feeling like San Francisco let them in and Parc 55 facilitated that. The Ruth Asawa art panels/sculpture at the valet entrance, Kin Khao's Michelin-starred kitchen, and the Union Square address place this hotel at the intersection of local culture and effortless access.


Main attractions to highlight: Bay window views hero every guest room . Will also want to showcase the social energy, ambience and food from Cable 55 Restaurant (not the room itself but the vibe).

Hero Locations/ and Times of Day:


Key Guest Demographics:


Objectives

Every Hilton property and stay has its own unique style; where you choose to stay, and what that stay entails, is a crucial factor for travelers. This is especially true for the Hilton San Francisco Union Square and the Parc 55 San Francisco, set across the street from each other in the bustling, competitive heart of Union Square in San Francisco. 


Both properties are currently lacking in stills and video that demonstrate all they have to offer. With a major renovation for both properties planned for early 2027, Hilton is turning to the Tongal community to help fix that content gap and increase traveler business ahead of the renovations. 


To do this, you'll create a suite of content consisting of up to 25 still photos (12 per property) and two up-to :60 social videos (with cutdowns and sidecar montages) that capture each property's unique style, amenities, and key lifestyle cues for specific traveler audiences. Each property has its own stay POV, which must drive and differentiate your production, ultimately leading to two intentionally distinct suites of stills and video. Reference photos and videos and more specifics about each property's key amenities, target traveler demographics, and top hotel amenities to consider in your treatment can be found in the Background.


You will need to conduct a two-day MOS social video and photography shoot at both properties, sometime between June 6-17, 2026. We anticipate you'll be able to shoot through one property per day, but you should expect to capture stills and video across up to three amenities (e.g. guest room, lobby, restaurant, gym, pool, etc.) at each property, with the schedule covering both daytime and nighttime shots. In addition to the two-day shoot, you will need to conduct a one-day tech scout at both properties, ideally within 48 hours of the confirmed shoot dates. 


You will need to shoot professional photography, with up to three rounds of light retouching. Photography should focus on showing each space or amenity as the 'main character' of the shot, with talent creating a lifestyle narrative within the frame; see examples in Background. Your social video should be shot for both 16x9 and 9x16 delivery, using a current-model iPhone, Ronin 4D, Sony FX3 or similar, on a gimbal. Across your stills and social video, you should expect to cast up to six on-screen talent (up to four principals and two extras). Your talent will represent different traveler types, and casting may include the need for a child (e.g. solo business traveler, couple, family). You can expect to have personnel from both Tongal and Hilton on set, along with a representative from the hotels. 


Please note that these hotels will be fully operational during production, and our top priority will be to ensure that production is not interfering with the guest experience. If it means changing a shot so that we do not disturb guests, that's okay. The guest experience is paramount to the production for Hilton, so keeping a high sense of courtesy and flexibility will be extremely important. We will also need to be mindful of avoiding any framing that would draw attention to areas that will be the key focus of the upcoming renovations; Hilton will provide more detail on this in pre-production, and specific shots and angles will be approved in advance of production during the tech scout. 


Finally, please note you do NOT need to be based in San Francisco to pitch on this project, but there is no additional travel budget available, and any crew travel or lodging should be covered under your production budget. That said, the properties may be able to provide a small number of guest rooms for any crew or talent that need to stay on site, as well as a crew/gear holding room and a wardrobe/HMU room. We're breaking down more details about the process, as well as some budgeting assumptions, below. For any other questions or other project updates, check out the Project Forum.


FOR YOUR PITCH: Your pitch should primarily highlight:


You should also consider the following BUDGETING ASSUMPTIONS:


DELIVERABLES: There are 6-8 total edited video assets and 12 still assets PER PROPERTY (12-16 edited video assets and up to 25 stills total across both properties):


EXPECTED TIMELINE: HERE.


EXPOSURE & RIGHTS: We expect content will be used on the platforms below, but if casting talent, be sure they review our required Talent Release before they're cast, as we CANNOT guarantee that usage is limited to these platforms.  This project requires a full rights buyout for all talent and for all content that you deliver, including photography. That means all rights, globally, in perpetuity, and in all media. Please ensure that your photographers are aware and have agreed to this before presenting options to Hilton, and that Talent is made aware of our talent release during the casting process. This is not negotiable. You should also review our Music providers in the Project Requirements, as well as the platform best practices.


TARGET AUDIENCE: Gen X and Millennials; a new generation of smart business and leisure travelers, for whom life, business, and pleasure seamlessly intersect. Should you receive a greenlight, additional information about the specific brand and audience you will be shooting for will be provided to you ahead of launching any casting notices. 


TONE/FEEL: Elevated, energized, empowered; taken care of and enmeshed in the bustle of San Francisco.


EXECUTIONAL MANDATORIES: 


AI USAGE: You may not use AI generated visual or audio assets in your final content. However, for the purposes of your pitch and pre-production materials, you are welcome to use generative AI to create visuals, storyboards, animatics, proofs-of-concept, etc. that might help the Sponsor understand your vision for creating the final content. Additionally, assistive AI tools (e.g. object removal, compositing, color grading, sound mixing, subtitling, etc.) may be used in post-production to supplement your workflow. Please keep record of any AI usage deployed in your submissions in the event that the Sponsor requests AI disclosures. If you have questions about any specific usage or tool, please ask your Tongal producer.


By participating in this project, creators acknowledge that the Sponsor is under no obligation to greenlight a submission. Though most projects do move forward, we'll notify you in the event the Sponsor decides not to fund any submissions via the Project Forum. Regardless of the result, all submissions will be reviewed and evaluated by the Sponsor and project team.


Details

In order to be considered, include the below materials in your submission. For examples of effective pitches, check out this gallery. All Pitches remain private, even after a Pitch is selected, and Tongal strives to have Pitch selections made by the end of the Evaluation period, but additional time may be required by the Sponsor, depending on any number of factors. Unless specifically requested, there's no need to include a budget with your submission.


Requirements

  1. In addition to the standard Tongal W-9, Winner Affidavit, and IP Assignment, greenlit Video creators MUST also provide Talent, Location, Music (or other) Releases for all assets appearing in their Videos, as well as a photograph/headshot OR copy of a photo ID for all On-camera Talent releases. You must also provide all project files, editing sequences and a 1080p .mov master file, using a ProRes, Animation, or Uncompressed Codec to claim your earnings. Tongal also reserves the right to request all raw files associated with the project.

  2. Unless provided otherwise, all work must be your own original creation and free of any copyrighted material. You shall provide detailed information of your work regarding the source, the creator and background information as requested by Tongal.

  3. In the event you utilize any third-party materials, such as music provided by a third-party music provider not provided by Tongal, you must obtain full written license and consent from the owner of such third-party materials and provide such license and consent forms to Tongal.

  4. The Sponsor will be entitled to reasonable revisions on the finished Videos without providing additional compensation. Remember it's easier to re-edit than re-shoot so try to get as much coverage as possible.

  5. Preferred format for upload to the Tongal website is HD 720p and formatted for the aspect ratios listed in the Deliverables (e.g. 16x9). Acceptable file formats are .mov, .avi, .mp4, .wmv. Acceptable codecs are H.264 (MP4), MPEG-4, H.263, MPGV, WMV, DivX. Should your submission be greenlit, you will also be required to provide a 1080p .mov master file, using a ProRes, Animation, or Uncompressed Codec.

  6. BY SUBMITTING A VIDEO ENTRY, YOUR SUBMISSION IMMEDIATELY BECOMES THE SOLE PROPERTY OF TONGAL OR ITS ASSIGNEES - SEE OFFICIAL RULES FOR MORE DETAILS ABOUT OWNERSHIP OF ENTRIES. YOU MAY NOT PUBLICLY SHARE OR PUBLISH YOUR SUBMISSION IN ANY MANNER AND YOU MAY NOT POST OR UPLOAD YOUR SUBMISSION TO ANY WEBSITE OR VIDEO HOSTING SITE (INCLUDING, BUT NOT LIMITED TO, FACEBOOK, YOUTUBE OR VIMEO), WITHOUT THE PRIOR EXPRESS WRITTEN CONSENT OF TONGAL. FAILURE TO COMPLY WITH THIS REQUIREMENT MAY RESULT IN DISQUALIFICATION OF YOUR ENTRY IN THE PROJECT.

  7. You may not contact any employees or members of the Sponsor's organization, their affiliates, or any of their partners. Failure to comply with this requirement may result in disqualification of your entry in the project.

  8. In addition to the judging criteria stated in the OFFICIAL RULES, Pitches will also be evaluated on that member's ability to execute the final Video based on their prior work and experience as a creator.

  9. Videos must be in the English language or subtitled.

  10. Submissions must not portray Sponsor in a negative way, the determination of which will solely reside with Sponsor, nor can Submissions contain any profanity, offensive language, nudity or otherwise objectionable material, the determination of which is solely at the discretion of Sponsor.

  11. You must be at least thirteen (13) years or older to enter.

  12. The Sponsor reserves the right to repost the contest.

  13. See OFFICIAL RULES for additional contest information, terms and conditions. If there is any conflict or inconsistency between these requirements and the Official Rules, the terms and conditions of these requirements shall prevail.